{"id":3361,"date":"2023-04-24T11:36:49","date_gmt":"2023-04-24T09:36:49","guid":{"rendered":"http:\/\/www.lescheminsdemusique.org\/?page_id=3361"},"modified":"2023-04-24T11:41:12","modified_gmt":"2023-04-24T09:41:12","slug":"17-avril-2023-r","status":"publish","type":"page","link":"https:\/\/lescheminsdemusique.fr\/index.php\/17-avril-2023-r\/","title":{"rendered":"17 avril 2023 &#8211; R"},"content":{"rendered":"\n<p><strong>\u2026On a chant\u00e9 l\u2019amour en ce lundi de printemps au Temple&nbsp;!<\/strong><\/p>\n\n\n\n<p>L\u2019ensemble<strong> EPHEMERES<\/strong> a transport\u00e9 le public vers des horizons allant du XIIIe si\u00e8cle \u00e0 la Renaissance, m\u00ealant chants profanes\u00a0 et sacr\u00e9s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"918\" height=\"377\" src=\"http:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180490_2.jpg\" alt=\"\" class=\"wp-image-3370\" srcset=\"https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180490_2.jpg 918w, https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180490_2-300x123.jpg 300w, https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180490_2-768x315.jpg 768w\" sizes=\"auto, (max-width: 918px) 100vw, 918px\" \/><\/figure>\n\n\n\n<p>Th\u00e8mes sacr\u00e9s issus du \u00ab&nbsp;LAUDARIO di CORTONA&nbsp;\u00bb (manuscrit du XIIIe si\u00e8cle), mais \u00e9galement th\u00e8mes profanes, avec des \u0153uvres de Maestro PIERO, CICONIA, WILLAERT, ARCADELT, RUFFO, PALESTRINA, CORNYSH, et HENRY VIII.<\/p>\n\n\n\n<p>Pierre BOURHIS (chant), Pascale COSTANTINI (vi\u00e8le d\u2019archet et chant), Herv\u00e9 MAILLIET (santur, percussions et chant), Laurence MAMAN (organetto et chant) et Nathalie RENOUVIN (fl\u00fbtes et chant) ont conjugu\u00e9 leurs talents pour nous offrir ce floril\u00e8ge d\u2019harmonies langoureuses, po\u00e9tiques, rythm\u00e9es\u2026<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180508-1024x768.jpg\" alt=\"\" class=\"wp-image-3380\" srcset=\"https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180508-1024x768.jpg 1024w, https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180508-300x225.jpg 300w, https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180508-768x576.jpg 768w, https:\/\/lescheminsdemusique.fr\/wp-content\/uploads\/2023\/04\/P1180508.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Du \u00ab&nbsp;Fa mi cantar l\u2019amor di la Beata&nbsp;\u00bb (\u0153uvre sacr\u00e9e du Laudario di CORTONA), au savoureux \u00ab&nbsp;Ah ROBIN&nbsp;! Gentle ROBIN&nbsp;\u00bb de William CORNYSH, du madrigal \u00ab&nbsp;Amor mi fa morire&nbsp;\u00bb (Adrian WILLAERT) au \u00ab&nbsp;H\u00e9las Madame&nbsp;\u00bb d\u2019Henry VIII, en terminant par quelques p\u00e9pites de John DOWLAND, le public est all\u00e9 de d\u00e9couverte en d\u00e9couverte avec d\u00e9lice\u2026<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2026On a chant\u00e9 l\u2019amour en ce lundi de printemps au Temple&nbsp;! L\u2019ensemble EPHEMERES a transport\u00e9 le public vers des horizons allant du XIIIe si\u00e8cle \u00e0 la Renaissance, m\u00ealant chants profanes\u00a0 et sacr\u00e9s. Th\u00e8mes sacr\u00e9s issus du \u00ab&nbsp;LAUDARIO di CORTONA&nbsp;\u00bb (manuscrit &hellip; <a href=\"https:\/\/lescheminsdemusique.fr\/index.php\/17-avril-2023-r\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3361","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/pages\/3361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/comments?post=3361"}],"version-history":[{"count":3,"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/pages\/3361\/revisions"}],"predecessor-version":[{"id":3393,"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/pages\/3361\/revisions\/3393"}],"wp:attachment":[{"href":"https:\/\/lescheminsdemusique.fr\/index.php\/wp-json\/wp\/v2\/media?parent=3361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}